HOMEARTISTMUSICREVIEWSCONTACT

THE REVIEWS

COMEG - One Day - Comeg is Coemgen Savage who is based in SW England. His living room expertly reconstructed from place of rest to place of work. His studio helps him to record his own music and distribute it freely via his website. Don’t expect any lofi rock here, this is all expertly put together. ‘Halo Goodbye’ has a fresh dynamic production to it and majestic vocal leading to the huge chorus. Some nice lead work, hooks galore reminding me of when Mansun were around throwing up those excellent longing guitar solos. There’s also remnants of the soaring drama of Depeche Mode in Comeg’s writing.

‘It's Okay’ follows on nicely with dreamy echoing guitars. His voice this time reminding me of Julian Cope at his more poppy times. Comeg’s vocals passionate and explosive “It’s OKAAAAY!” he screams. We get the picture. ‘The Hand Of God’ has a classic late 80’s indie sound of bands like Echo And the Bunny Men, the guitars shimmering against the New Order style drum beats. Comeg is not one to shy away from vocal performances, each time providing us with spine tingling screams. ‘Smile Inside’ sees things slow down, his voice recalling again ‘Bunny Men territory with the slow burning guitars and U2 style harmonics. He can mix the ballad with the pop anthem song-writing. Excellent stuff.

‘He Blew The World Away’ starts with George Bush teaching us about “war, misery and torture”. Comeg making light of Bush’s relationship with Blair. “He’s got a pet”, it’s an amusing little ditty this one. One man who has the world’s power in his hands. There’s some shrewd writing here, it’s hard to write political songs unless you are Bob Dylan or Neil Young but Comeg makes light of things with some amusing little one liners. It’s a nice way to bring things towards a close.

Comeg did the right thing turning his house into Abbey Road. ‘One day’ is a fine lp which shows some excellent vocal performances, hooky pop song-writing and guitar lines. Nothing over fancy or complicated, Comeg creates the sort of rock anthem you could only dream of writing mixing in other-worldly atmospherics to amazing effects. It’s surely is amazing what you can do at home. - Pete Stanley - theplasticashtray.co.uk - May 2007

COMEG - One Day - This is good, real good. If you are looking for top quality rock music with a twist of The Simple Minds/U2 knob then it takes it to 11. One Day has everything: full paced crowd rockers, heartfelt ballads and yes even a protest song.

Right from the outset Comeg hits the marker dead centre. Coemgen has a great ripping voice and his songs certainly bring out the good in it.

The rockers are stadium ready; great hooks and singalong choruses. The ballads come with a burning lighter ready to wave. Even the protest song (He Blew The World Away) doesn't detract from a great experience.

CD artwork is very striking and sits well with the rest of the package.

I can only believe Comeg hasn't hit the big time is the lack of live experience (that and A&R men only looking for the next pop idol). If Coemgen could put on a live show to match the quality of his album I believe he could conquer the world. Unfortunately, (as his website points out), you can make more money impersonating someone else than you can with top notch self-penned material.

Of all the unsigned bands I've listened to this year, Comeg is the only one I would actually pay for the CD and certainly if he could tour it, I'd pony up the money for tickets to see him play the MEN Arena.

UK Score 92% - Unsigned Reviewer - myspace.com/unsignedreviewer - March 2007

COMEG - One Day - 'One Day' is the latest release from Comeg, aka Coemgen Savage. Yes, it turns out that Comeg is actually a solo venture and the brainchild of just one multi-talented musician from the SE of England. From listening to this impressive album you wouldn't guess that one single guy had Written, played, recorded and produced it in his home studio - it's a massive work with a pretty massive feel!

Comeg seems to specialise in big production, almost anthemic, songs; melodic soundscape rock on a big scale! Comeg reminds me of U2 crossed with Tears For Fears; there's the gritty rock ballads typical of the former mixed with the pop sensibility of the latter. But, Comeg is quite obviously just Comeg - I don't think he tries to be anything other than true to himself at all times. Comeg's songs are hook-laden, riff-loaded, emotionally charged works that tend to get right under your skin (in the nicest possible way!) and haunt you for ages after.

'One Day' actually has massive potential; the songs are indeed big, they're structured superbly and played stunningly. If I could fault anything it would be the final production; for me 'One Day' is a bit to 'top end' tinny (particularly in the vocals and drums departments), to the point where it tends to become almost grating. Now that's easy to remedy (if indeed Comeg actually feels the need) and if 'corrected', 'One Day' would start to become a totally new beast! But, who am I to criticise? If Comeg likes the final results then I bow to his better judgement. I just try to listen with a completely open mind and write what I believe. And, regardless of my criticism, what I believe is that Comeg is pretty special!

What the press pack doesn't tell me is whether Comeg actually performs live. If 'One Day' is all his own work, can (or does) Comeg even attempt to play live and if so, how does he tackle the massive job of getting his work out there? Certainly, 'One Day' suggests that Comeg is a musical force to be reckoned with. Brilliant songs, great musician, potential, potential, potential! - TOXIC PETE - Toxicpete.co.uk - January 2007

COMEG - Savage - There’s a lot to like about Comeg, and his new album, “Savage”, the fifth Comeg album since 2002. For starters, the record is produced and performed entirely by the man himself, no mean feat, and Comeg (otherwise known as Comegen Savage) possesses a strong ear for a melodic hook. His 60’s influenced pop songs soar and sweep with the gravitas of the Beach Boys or ELO, but with occasional added doses of bite. Another plus point is the stick it to the man attitude which sees this and all of Comeg’s other albums freely available for download from the official Comeg website.

The opener “Torch Song Blues” belts along pleasingly, and as it bleeds into “Here Inside Your Heart”, this reviewer has found a new artist to watch out for. “Summer Rain”, “Pretty Galore”, and “Broken” are other highlights. As the pace and intensity quickens and drops throughout the album it is undeniably true that Comeg is a seriously talented guy, who would benefit from a more serious recording budget in order to reach his true potential. The classic example of this are the drums, which, to me, sound programmed (first review cd's were incorrectly mastered, see news page). I’m willing to be corrected here, but this adds an amateurish feel to the music which it sadly does not deserve. This style of up-tempo pop/rock desires, no, demands, live drums. It has to be said, though, that the drum parts are extremely well-programmed.

Comeg likes reviewers to steer clear from his confrontational views on the British Record Industry, and I will indulge them, but the comments on the website are a sight to be seen. I will leave the reader to decide for themselves whether Comeg is an epic struggler against the heaving behemoth or merely a potty-mouthed, remarkably talented man. However, I urge you to support one of the most exciting unsigned artists in the UK today. - Haydon Spenceley - HeathenAngel.co.uk - June 2006

COMEG - Savage - Comeg is the shorthand moniker of UK musician Coemgen Savage, a one-man band of sorts who wrote and performed all the songs on his latest release, which is somewhat surprising, as he accomplishes a rather big sound all on his own. Comeg's specialty is Brit pop of the highest order, drawing upon various influences that range from 60s British Invasion to 80s New Wave and beyond. Big guitars and smart pop melodies reign the day, drawing sonic pictures with wide strokes. The self-production is only lacking in the somewhat thin sound of the percussion (first review cd's were incorrectly mastered, see news page) but otherwise this release just shimmers beautifully in all its pop glory. - MISH MASH Indie Music Reviews - April 2006

COMEG - Savage - Comeg is a singer-songwriter, who performs and writes all his songs himself. It seems he's been gaining more and more attention recently; so much so that he's signed to label. But as this album was released as 'unsigned' it can be classified as such. His influences are reflected in his sound; classic artists from the Beatles to the Electric Light Orchestra fuse together to bring something new. Opener 'Torch Song Blues' is a throbbing, guitar driven composition. The bass adds a dancing energy to the arrangement, the bashing drums tap your feet, and the vocals make you wave your arms. It trottles along at a speedy pace, and is a promising start. This is sound is almost the band's signature; the distinctive drums, anthemic vocals, bobbing guitars and prominatly melodic bass. It is present across this album, from 'Summer Rain', with its almost Vines-eque feel without the raw rockiness; to 'Broken', another fairly laid-back yet groovy indie rock song. 'That Joke Isn't Funny Anymore' is a song sumptuously brimming with lyrical wit and distinctive vocals. Bashing cymbals and an everlasting melody make this a standout moment. When I first heard Comeg's voice, I felt it sounded much like many other vocalists in unsigned bands. An almost 'generic' voice, not bad, but nothing to make me ejaculate. But I was wrong; there is a howling brilliance to his voice, a crunching crooniness, just something that you wouldn't find elsewhere. The addictive simmers of 'Into The Sunshine' highlight this, as do all songs on show here. This is certainly worthy of attention; it's a album packed with unique, beatingly good songs, displaying maturity, vocal strength, and the ability to write structured, successful songs. The album is musically attractive and lyrically intriguing; let's hope Comeg can develop this sound into his signed career. - Edward - PowPowPow.com - March 2006

COMEG - Savage - Gobsmacked! Though I shouldn't be...quality is all we ever get from Comeg. The only reason I can figure for the fact that the music biz big guns haven't snapped you up is that maybe they really don't want to be responsible for ruining such a great thing...enjoy your obscurity while it lasts, lol. Superb Thumbs Up. - Seags - Ukbands.net - February 2006

COMEG - Savage - You genuinely amaze me with your craftsmanship and bloody great songs. You are head and shoulders above most bands out there. I'm only 3 tracks in (to Savage) and 'Into The Sunshine' has just played; stupendous and ridiculously brilliant. I look forward to a good listen to everything on this album just as I have your earlier stuff. For me the whole UK Bands thing is about hearing fantastically talented stuff like this. If I were picky I'd have more earthy bass to the final mix (it's mid to toppy). But this is already magnificent... This is the new revolution in it's truest form. Comeg made my top 5 of 2005 and on the strength of a meagre playthrough this will no doubt be there again. - Label Owner - This-Sound.com - February 2006

ARCHIVE - Earlier COMEG Reviews

Comeg - Band Review - When a band has released five albums in three years, it could suggest a lack of direction, or an inability to reject any ideas. However, neither is true in the case of Comeg. They have a back catalouge full of tracks that could have come from platinum albums, and wouldn't sound out of place infront of a packed stadium.The style is mature and developed; each track is well produced, intelligently constructed, and above all, extremely enjoyable. The band's talent can be seen in the variety amongst songs, and there are glipses which suggest influence from Paul Weller, U2, Oasis and many others.Comeg's first four albums are available for download from their website, and The Best Of is available to buy on CD. The fifth album, available soon, is likely to confirm their place amongst the shining stars of the unsigned scene. - Rob - Freshdynamics.net - November 2005

Alcohol Fuelled - Album Review - Comeg are a band I still can't believe haven't been snapped up by a major label yet - "Alcohol Fuelled" is Comeg's fourth full length offering and continues to showcase the band's enviable ability to write album after album of instant classics in the vein of the very best Brit-Pop / garage bands - If you can picture Oasis kicking Liam out of the band & replacing him with U2's Bono you'd be somewhere close to the Comeg sound. Add some intelligent & inspired lyrics to instantly catchy tunes and you're even closer! I recommend you go download the album from the band's web site now as you won't be able to get your hands on this amount of free quality music once they're signed - and this album is just crying out it's gotta be soon!! - Mark Edwards - Skidmark.org - October 2005

Alcohol Fuelled - Album Review - Unsigned they maybe but Comeg are nothing if not prolific as they release their 4th album since February 2003. Without a record contract, the majority of unsigned bands wind up and disband within a couple of years but Comeg are proof positive that you can have a recording career without the backing of major label big bucks though, as I’ve mentioned in a previous review, how the hell Comeg haven’t been signed yet is beyond me.

You could be forgiven for thinking that the Comeg philosophy is “if it ain’t broke…” as ‘Alcohol Fuelled’ follows the same musical template as their previous albums. Listen closely, however, and you can hear that the melodies are lusher, the performance tighter, the recording/production/mixing/mastering cleaner and more professional (not that it was much less than professional in the first place): not bad considering the tight budget the band most have to work on.

Once again the Oasis/Verve/Beatles influences are there but this time it is the U2 influence which shines through the strongest. From the Joshua Tree era stylings of album highlight ‘24’ through to the haunting album closer ‘City Talk’, the finger of Bono and Co. touches each song to some degree. Even frontman Coemgen Savage’s vocal have a distinct Bono edge to them.

There is more use of keyboards and synths on ‘Alcohol Fuelled’ than on previous Comeg albums with most of the tracks being backed up by keyboards to some degree. As ever though, guitar is king and most songs are axe led from the chest beating rockers like ‘Love Killed Kurt’ and the smoldering and atmospheric mid-tempo ‘Memphis Mist’. As suggested by the album title and the tone of the songs, the concept of the album seems to be the soundtrack to a night out on the town creating a musical soundscape to express the highs and lows, the energetic and the lethargic, even the thoughts and feelings experienced. A bold scope and one which is admirably achieved.

‘Alcohol Fuelled’ puts some of the big-budget, major label releases to shame with its passion and verve, made all the more potent by the bands obvious ear for melody and arrangement. Perhaps it is the fact that Comeg are always working as a labour of love, with their backs to the wall and conscious of the lack of funds that their albums somehow have an endearing quality which would be lacking should they ever be given a proper studio and open cheque book to record. In some ways, I hope they don’t get that opportunity and lose that little bit of magic that their circumstance generates. On the other hand, the quality of the bands music deserves a far wider audience than releasing the album through their website would ever afford. Whatever happens, Comeg can be proud of their music and can live safe in the knowledge that those who do listen to their material will get immense aural pleasure. Comeg are still one of the very best unsigned artists in the UK today and this is a great album which comes highly recommended. Rating: 8/10 - Scott Brown - Heathen Angel.co.uk - June 2005

The Truth Bleeds From A Liar - Album Review - "The Truth Bleeds From A Liar", a distinctly COMEG-ish album that shows how far they have come. This album, fresh off the press just this week, pits all their collective talents, as showcased in their first two well-recieved cds, alongside a maturity that makes this cd their strongest, to our ears, of the three. To us, this album sounds like it has been recorded by a group that has been travelling on this road for quite some time, and have learned to master their craft, which in truth is exactly where they are. All tracks are performed to perfection, and feature strong riffs, and vocals. There are some really nice mini-solos on the guitar littered through the album too, and, as a whole, the cd spans so many facets of the "Indie" sound, in COMEG's own original way, that we feel this album must be about to get their sound to even more people. It has certainally left a mark on us. Of the tracks we featured "Live Wire" and "Come Undone" are more laid back affairs, drumless at times, but with plenty of rhythm and depth. They are the kind of tracks that have the trademark COMEG sound to us. Deep and soulful Indie rock with a certain class. "Heaven Calling " is a more upbeat number and like the two others features very well thought out vocal lines, along with classic guitar riffs. This one is our favourite from the new album, but saying that may take away from what we thought of the album as a whole. There are 10 tracks on it in total, and to us all are worthy of massive attention. This is an Indie album of the highest quality, to our ears, we hope you agree. - Queep Organic Music.com - October 2004

Comeg - Demo Review - Sometimes, you get a demo through the door and within one listen you are left wondering why on earth this band has not been signed up by a record label. One such band is Comeg. Formed in 2002, the band have so far recorded 2 albums with their own money and made them available on their website. A third album is currently being recorded as I write this review and that too will be available on Comeg’s website later this year.

On researching the band, I came across several references to them on a number of music websites and the general comments from the majority were, to quote one site, along the lines of “the best band in the UK who’ve yet to be signed”. On listening to the 4 tracks on the demo, I certainly wouldn’t disagree.

Comeg have a talent for weaving sumptuous melodies which hook you in and refuse to let you go. From the opening track, “The River”, with its indie rock/The Beatles-esque arrangement and wandering melody to the closing track, “Snow White Violins” which is essentially the Thin White Duke’s ‘Life On Mars’ if it was guitar led and not piano led, you are captivated by the music and have an uncontrollable desire to press play again as the amusingly eccentric George Formby-esque ukulele fades out. In between is “Fresh Cut Grass” which sounds like Robbie Williams but with indie-cred and “Glad I’m Not You” with its heavy blues licks as the band rock out in style. One of the most prominent features is the guitar playing which is very reminiscent of Bernard Butler that adds an extra dimension to the recordings.

Why the hell no record label has signed up Comeg yet is beyond me. With the likes of Maroon 5, Robbie Williams and even Stereophonics selling bucket loads in the UK, Comeg would certainly have an audience. The thing is, comparing Comeg to these artists seems an injustice as I believe that the band would have an “indie cool” credibility that these others lack. Maybe one day the record industry will wake up and realise what they are missing. Until then, I highly recommend checking out Comeg’s website and downloading the free MP3’s of their albums. Simply stunning. Rating: 9/10 - Scott Brown - Heathen Angel.co.uk - June 2004

Comeg - Band Review - Arguabley the best unsigned band in the UK, check out track 4 on Spine - Snow White Violins - absolute classic!!! - circadian-rhythm - March 2004

Perfect Summer - Album Review - I've been listening to this album for most of today, I find it highly addictive, I just can't seem to get enough of its catchiness and its everyday life type of lyrics, soft moody tones and overall mysteriously familiar sounds. The vocals standout as one of the most prominent features of this album. If you stripped down "The Wall" album by Pink Floyd and removed all the weird sound effects and tripped out noises, you'd come might close to how COMEG sounds. They have a soft flowing mellow sound, almost acoustic in nature, with symphonic-like elements drifting in the background giving it an effective layered and textured feel. There's not a track on this
album I don't enjoy for one reason or another. Its very uplifting and moody, just the way good music should be and the vocals are very pleasant to listen to. Overall, this is my new favorite "rock" based album of the week. If you enjoy 60s/70s rock bands you may enjoy the sounds of COMEG, they do have that classic rock sort of vibe to them, which is always enjoyable no matter how old you are! - Rating: 10/10 - Space Junkies.net - March 2004

The Truth Bleeds From A Liar - Album Review - "This is the third album from a group who many have described as “the best unsigned band in the UK”. For those familiar with the bands previous albums . . . . , the overall sound of the band has changed little save for a strengthening of the song writing after several years on the scene and further tightening of them as a unit. So business as usual for Comeg with their one part Oasis, one part Beatles tunes flavoured in parts with classic 70’s Bowie, Suede and a little Richard Ashcroft.

The album kicks off in fine style with ‘There But For The Grace Of God’, an uptempo indie rock track infused with lashings of melody and a biting guitar riff. A couple of tracks later, the same formula reappears on the wonderful ‘Burning In The Sun’ but this one soars to higher plains and is even more infectious. ‘Live Wire’ and ‘Grace 2’ feature stripped down instrumentation with little more than vocals, strummed guitar and a few touches of keyboards but all used to great effect to produce an eerie and entrancing sound.

My personal favourite, ‘Loser’, sees Comeg in chest beating form with an aggressive rocker tempered at the edges with the sparring use of a cute little keyboard riff hear and there. Such is the rasp in Coemgen’s voice as he sings “don’t talk to me” that you definitely wouldn’t fuck with him!

‘The Truth Bleeds From A Liar’ is the bands most mature work to date and deserves a wider audience that it will receive initially. This is a very commercial piece of indie rock crafting and, considering this is all done with their own money and is not label backed, high quality music. The truth is Comeg are an untapped gem on the UK music scene. It is just a pity that fashion blinds the record labels to that fact. If you like melody rich indie rock then do yourself a favour and check out Comeg straight away. You’ll be glad you did. Rating: 8/10 - Scott Brown - Heathen Angel.co.uk - November 2004

Comeg - Band Review - Comeg are one of the best UK independent rock bands listed on this site - watch this space - they've the potential to be going places! Check 'em out! Listening to Comeg's album "Perfect Summer" for the first time is like opening a window into a stuffy room - it's a real breathe of fresh air. There's always a plentiful supply of "good" indie music dropping through the SkidMark letterbox but Comeg's CD is one of those occasional "Wow" moments we have during the year when something really special arrives. The album is a wholesome selection of pure unadulterated Brit-pop / rock tracks with flavours reminescient of many of the finest British acts such as the Beatles and Oasis to name but two. Comeg are currently unsigned artists but once this album has done the rounds, we guarantee they won't be for much longer! -
Skidmark-Multimedia.co.uk - February 2004

Fresh Cut Grass - Track Review - Every now & again we recieve applications fom bands, when we find it very difficult to believe are actually "unsigned", COMEG are one of those bands with a clear passionate male vocal, great guitar lines with excellent tracks well worth the listen. Get "Fresh Cut Grass" playing on the radio stations, then watch your investment pay off. - Unsignedunlimited.com - November 2003

Perfect Summer - Album Review - Comeg frontman Coemgen Savage thanks Prozac in the liner
notes to the band's second lp. And just like those world-famous wacky-tablets, 'Perfect Summer' gives you warmth and energy, despite some very dark ideas. Prowling opener "The River" is as moody as they come, but it's done with the jet-black allure and
class of Nick Cave. Meanwhile, the angsty edge of "Stay with Me" is lightened by a good time rock sound, complete with matching solo. There's even a touch of REM poppiness to the sprightly "Wingless Bird". However, it's a lavish, semi-acoustic summery vibe that dominates the album. It's Beatley, yes. But this is very much a 21st century take on the Fabs. Seductive, spiralling melodies on songs such as "Sunny Weather", "Fresh Cut Grass" and "Altea" belie the dark dramas taking place in the words. Stunning stand-out track "The Railway Bank" is all warm sunshine on your eyelids and stray cats in the grass, but it's really about finding a quiet corner for some serious downtime: "Please don't make
me face the world." Beautifully crafted, thoughtful and infectiously hook-laden, 'Perfect Summer' is the kind of record that's doubtless selling by the skip-load and guaranteeing CD:UK appearances in a parallel universe. Have a listen, tell your friends and make it a chartbound sound in this one. - Overplay.co.uk - November 2003

Perfect Summer - Album Review - Hailing from various Northern England cities, Comeg play
distinctive Brit-Pop sound . . . . but with one fundamental difference. Comeg don't sound at all dated . . . . Unlike most bands, Comeg have put their entire 'Perfect Summer' album free for anyone to download, for which this reviewer did just that. And upon listening to the opening 'The River' it's pretty obvious this band have talent - a very broody and melodic affair, at this stage I'm praying the remainder of the album can live up to the high expectations set. When the obvious guitar attack of 'Stay With Me' open proceedings it's easy to be sceptical, but the band's absolute belief in
themselves wins through, resulting in a confident rock star swagger. To demonstrate their diversity, 'Sunny Weather' introduces the acoustics and slows the tempo down whilst the likes of 'Mr Clean' and 'Junky' are sing-along upbeat driven moments, showcasing that no matter if the song's rocking or mellow, Comeg shine in all areas.

When you visit the official Comeg website, you are greeted with the message "The greatest industry ignored band in the world", and whilst that is a tall order to achieve, it's surprising how some industry bigwig hasn't snapped up the band on their record label. - Nick Collins - Entertainment.inuk.com - November 2003

Perfect Summer - Album Review - Opening with the memorable “The River”, a catchy rock anthem with a sinister tinge, this release is an imaginative journey through all things melodic. The strength of the songwriting ensures coherence, and the striking vocals combine seamlessly with the extravagant soundscapes to send the listener on a rollercoaster of emotions. Other highlights include “Sunny Weather”, a beautifully written soft rock number, and “Altea”, a despairing look into an abandoned world. The latter of these possesses a wonderful haunting quality that gives it undoubted film-score potential, the synth pads and intimidating vocals seducing the listener into a hallucination of comfort. T here are heavier moments, in the form of “Mr Clean” and the lo-fi “Junky”, but Comeg’s real strength is their down-tempo work. Tracks such as “Perfect Summer” and “Jim was Beautiful” may be somewhat anodyne, but the standard of hooks and song-structure is top drawer. Whilst “Wingless Bird” and “The Railway Bank” have a moodier feel, and put one in mind of Radiohead’s earlier material. Overall, this is a captivating release from a unique and diverse act. Comeg’s eclectic style and gift for instrumentation should attract fans from all walks of life. - JP - Music Reviewers.com - October 2003

Perfect Summer - Album Review - Oooh, we like his voice. Simply stunning. The songs aren't bad either, particularly the acoustically lead 'Sunny Weather' and 'Fresh Cut Grass', both of which made us feel good. Cheers, lads! - Honey Records - September 2003

Spine - Album Review - If all pop music was this damn good then we would have an industry to be utterly proud of, sadly it aint this good but hell to it all anyway. Comeg have the sheer brilliance that helped to drive David Bowie to world stardom and opening track 'Daddy's Little Girl' just boosts that claim. They are amazing, sound great and in total hold a beautiful thing that is this album. There isn't
a single lame track on this 10 track album which is available for free from their website and for a self produced album that is quite an achievement. 'Snow White Violins' is another beautiful sounding song and puts the likes of Radiohead and Elbow to shame. This is a great album, go grab ya own copy now! As that golden arched fast food restaurant is saying these days… I'm Lovin It! - Trev - Demoland Music.com - October 2003

Daddy's Little Girl - Track Review - I love pop music, and “Daddy’s Little Girl” is a great example of why it appeals to me. It has the melodic sweetness of McCartney, the clever, edgy lyrics of Lennon, and the upfront sexuality of the Stones. All wrapped in a production style that reminds me of Jeff Lynne / ELO. What’s not to love about this song? I admire the guitar sound and arranging; I appreciate the contrast between slow and quickly-phrased lines in the verse, and the way the tension builds to the payoff line in the chorus; I love the soaring line and the sweet chord changes in the middle eight. The lyrics deserve special mention. They’re sneaky, snide, and sung with pride. This is the sort of
song you don’t want to play for your mother, but the nastiness is in the ideas rather than the words. I’m not sure what the state of modern radio is, but I think these lyrics could make it on mainstream, maybe with the exception of the hook – “When Daddy’s little girl gets ___.” You fill in the blank. I’m not going to quote the lyrics because I want you to listen to the song for yourself. The wrapup? This is a strong demo effort of a song - and probably a band - that is radio-ready. If they have the right bits dyed, pierced, and tattooed, the pop music machine might want to make them next month’s Big
Thing - a good song, that remains stuck in my head. - Norm Bowler - Gods Of Music - April 2003

Spine - Track Review - The phrase “Diamond in the Rough” applies here more than it ever did. “Spine” by Comeg could be an all-time classic - the rich soundscapes created have an almost angelic feel to them, and the chord progressions are simply sublime. I love the introduction and the manner in which it captures the listener’s attention straight off. The string stabs compliment the dirty guitar parts beautifully, and the pads are wonderful, although a little too overpowering perhaps. At this point, the excellent vocals take the track to another level – the singer strikes exactly the right balance of power and fragility, and the uniqueness of the voice is a priceless asset to the group. I like the lyrics too, which have a certain tongue-in-cheek quality to them........it’s clear that Comeg have a tremendous amount of talent. They combine the melodic sensibilities of “The Polyphonic Spree” with the edginess of “Radiohead”. If they can hone their production and programming skills, great things can be expected from this unique act. (JP) - JP - Music Reviewers.Com - October 2003

Spine - Album Review - This is another album that just gets better and better. Daddy's Little Girl is a great introductory track featuring an effective wah-wah guitar melody and dual vocals, a style similar to that adopted by Blue Comet members Pushing Red Buttons, seen again later in Pretty Thing. The vocals are always distinctive, though vary from the smoothness of I Dont Want To Be Here to the crispier style seen in The Postmans, with lyrics and flowing tempo similar to that of the Levellers. Mood of the tracks varies from the more upbeat such as Let it Flow and Everybody Changes to the
slower tracks such as Snow White Violins, with the latter showing that Comeg's unique style a mon avis fuses the lyrical and musical talent of the Seahorses with that of the Verve. One of my favourites is the penultimate track Glad I'm Not You, with a great introduction and guitar melody again resembling the Seahorses, incredibly powerful lyrics and an effective contrasting section near the middle. Chord progressions and the desired tone is impressive - for example the stacatto guitar melody accompanying the piano in Midnight Blue. This track shows effective multi-layering of all the instruments at the end, also seen in the final track Spine, with impressive synthesised classical instruments making this a fantastic ending to the album. - Anjool Maldé - Blue Comet Music- April 2003.

RETURN TO TOP